Sony RX1R III vs Leica Q3 vs Fuji GFX100RF by Math Photographer

In his latest video, The Math Photographer ran a detailed sensor comparison between four premium compact cameras: the Sony RX1R III, the Leica Q3 28 mm, the Leica Q3 43 mm, and the Fujifilm GFX100 RF.

Using a precise laboratory workflow, he tested dynamic range, noise, high-ISO behavior, and exposure recovery. All shots were captured remotely through the Sony Creators App to avoid vibration, exported as JPEGs, and analyzed with a Python script measuring four metrics — Structural Similarity Index (SSI), Mean Squared Error (MSE), Peak Signal-to-Noise Ratio (PSNR), and Average Pixel Value (APV).

Results by category:

Underexposure ranking:

Overexposure ranking:

High ISO ranking:

Conclusion: Despite being the smallest and least expensive of the group, the Sony RX1R III delivered outstanding sensor performance — often ranking second overall and first for overexposure recovery. The Leica Q3 28 mm remains a benchmark for shadow and high-ISO recovery, while the Fujifilm GFX100 RF surprisingly placed last in several categories.

The Math Photographer concludes that sensor differences among modern cameras are now marginal in real-world photography — factors like workflow, ergonomics, and brand preference matter far more. Still, the Sony RX1R III earns special praise as “a proud winner despite its size.”

Full leaked Canon R6III and 45mm f/1.2 STM images specs!

Here are the full leaked images and specs of the Canon R6III (Canon EOS R6 Mark III — B&H Photo, Amazon, Adorama, FotoKoch, Foto Erhardt, Calumet, Wex UK)

Canon EOS R6 Mark III – Technical Specifications
IMAGE SENSOR
Type 35.9 × 23.9 mm CMOS
Effective Pixels Approx. 32.5 megapixels
Total Pixels Approx. 34.2 megapixels
Aspect Ratio 3:2
Low-Pass Filter Installed
Sensor Cleaning EOS integrated cleaning system
Colour Filter Type RGB Primary Colour
Sensor Shift IS Up to 8.5-stops advantage at centre and 7.5-stops depending on lens used
IMAGE PROCESSOR
Type DIGIC X
LENS
Mount RF / RF-S mount (EF & EF-S via mount adapter)
Focal Length Equivalent to 1.0× for RF lenses / 1.6× with RF-S lenses
FOCUSING
Type Dual Pixel CMOS AF II
AF System Points 100 % horizontal & vertical in Whole Area AF / Subject detection enabled
AF Working Range EV –6.5 – 21 (at 23 °C, ISO 100)
AF Modes One Shot AF, Servo AF, AI Focus AF
AF Methods Automatic selection of AF area from 1053 zones
AF Point Selection 1-point AF frame (61 × 41 points movable)
AF Tracking Human (Eye/Face/Head/Body), Animal (Dogs/Cats/Birds/Horses), Vehicle (Cars & Motorbikes)
AF Assist Beam Emitted by built-in LED or external flash
Manual Focus Via lens ring / MF mode
Focus Bracketing Yes (with in-camera depth compositing)
EXPOSURE CONTROL
Metering Modes Real-time with image sensor, 384-zone metering (Evaluative, Partial, Spot, Centre-weighted average)
Metering Brightness Range EV 3 – 20 (at 23 °C, ISO 100, evaluative metering)
AE Lock Auto / button
Exposure Compensation ± 3 EV (1/3 stop increments)
AEB ± 3 EV in 1/3 stop steps (up to 7 frames)
Anti-Flicker Shooting Yes (100 Hz & 120 Hz detection)
ISO SENSITIVITY
Range 100 – 102 400 (expandable to 204 800); Auto ISO 100 – 25 600
SHUTTER
Type Electronic & mechanical focal-plane
Speed 1/8000 – 30 s (½ or 1/3 stop increments), Bulb, Electronic shutter up to 1/16000 s
Shutter Release Lag Approx. 50 ms
WHITE BALANCE
Type AWB (Ambience/White Priority), Presets (Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Custom)
Custom WB Yes (4 settings can be registered)
WB Bracketing 3, 5 or 7 frames / Selectable bias Blue/Amber or Magenta/Green
VIEWFINDER
Type 0.5-inch OLED EVF colour
Resolution 3.69 million dots
Refresh Rate Up to 120 fps
Magnification Approx. 1.0× (23 mm eyepoint)
Coverage Approx. 100 %
Eyepoint 23 mm from eyepiece lens centre
Dioptre Correction –4 to +2 m⁻¹
Brightness & Colour Tone Adjustable (Warm / Standard / Cool)
Display Performance 2 modes – Smooth (119.8 fps) / Power saving (59.94 fps)
SENSOR / DISPLAY PERFORMANCE
Exposure Simulation Yes (live view display On/Off)

 

via CanonRumors

DxO updates PureRAW, PhotoLab, and Nik Collection — plus 15% off with our code!

DxO has released major updates for three of its products — and the best part is, you can now get 15% off with our exclusive checkout code “Rumors15”!

 

DxO PureRAW 5.5 -> 15% off with our code “Rumors15”

  • The third generation of DxO’s pioneering technology, DeepPRIME 3, delivers unprecedented image quality — free of noise and with exceptional color rendering — for images captured at high ISO levels.
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  • Exclusive to DxO software and backed by over 20 years of research, DxO Modules automatically optimize lens sharpness and correct distortion, vignetting, and chromatic aberration for more than 100,000 camera and lens combinations.
  • New in DxO PureRAW 5.5, integration with Photoshop’s Smart Filters gives users complete control, allowing them to revisit DxO PureRAW settings at any time.

DxO PhotoLab 9.2 -> 15% off with our code “Rumors15”

  • Re-organizable masks with improved labelling — With this update, users gain even greater control over their local adjustments. Masks and sub-masks can now be freely reordered, making it easier to keep complex edits organized and intuitive. When a mask is duplicated, the software automatically labels the new version with a sequential number, saving time and avoiding confusion. These refinements streamline workflows and help photographers stay focused on the creative process.
  • New PhotoLibrary filters — File management and image curation become even more efficient in DxO PhotoLab 9.2 thanks to three new filters designed to speed up how photographers locate their work. Alongside existing options, users can now instantly display only Unedited Images, quickly isolate Edited Images, or focus specifically on Edited Images featuring Local corrections. These filters simplify navigation and editing across large photo libraries.
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Nik Collection 8 -> 15% off with our code “Rumors15”

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PetaPixel Poadcast from the Sigma headquarter

From minute 39 Sigma CEO Yamaki joined the podcast. Here are a couple of highlights:

  • He doesn’t work with other manufacturers, they prefer to produce lenses in their own factory
  • Sigma made no profit in past fiscal year due the increase of cost.
  • Response of the market on the Sigma BF was way beyond his expectations
  • Sigma 14mm f/1.4 lens is a niche lens only being produced in January and February
  • Demand for L-mount lenses continuous to increase