(Press Text) The LEICA SL mirrorless system camera sets new standards in terms of speed, picture quality and versatility

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Leica SL camera and lens preorders:
Camera and Lens preorders at BHphoto (Click here).
Leica SL camera at BHphoto (Click here) and Adorama (Click here).
Leica SL 24-90mm at BHphoto (Click here) and Adorama (Click here).

The LEICA SL mirrorless system camera sets new standards in terms of speed, picture quality and versatility

Wetzlar, 20 October 2015. The Leica SL system marks the beginning of a new era of professional photography made in Germany. The Leica SL mirrorless system camera is impressive on account of its innovations in exceptional Leica quality. Its 24 MP full-frame CMOS sensor and perfectly matched components – from superior-quality lenses to its electronic viewfinder – guarantee exceptional imaging performance.

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EyeRes viewfinder and touchscreen display for total control of every picture

Developed especially for the Leica SL, this electronic viewfinder is the first of its kind to feature Leica EyeRes technology. With a latency time below the threshold of perception, an impressive resolution of 4.4 million pixels and a magnification reminiscent of a medium format camera, this electronic viewfinder offers an entirely new visual experience and numerous advantages: the final image is visible in the viewfinder before the shutter release is pressed, which enables optimum control over the final picture in any situation. The EyeRes viewfinder is activated simply by looking through it. In addition, the Leica SL also features a 2.95? back panel display with a viewing angle of up to 170° that enables reliable viewing of pictures and efficient touchscreen menu navigation.

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Maestro II processor for maximum performance

The high-performance Maestro II series processor guarantees that photographers never miss even the fastest-moving subjects and that the camera responds instantaneously to all commands. Together with 2 GB of buffer memory, the processor makes it possible to capture consecutive exposures at rates of up to 11 frames per second at full 24 MP resolution and 4K video with a frame rate of 30 frames per second. Pictures can be saved simultaneously to an SD memory card as both a JPEG and DNG in line with the fast UHS II standard. Thanks to its Maestro II series processor, the Leica SL achieves the best performance currently possible in the professional camera class and underlines the innovative character of the camera.

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24 MP CMOS sensor for exceptional picture quality in 35 mm full-frame format

The 24 MP CMOS full-frame sensor guarantees impressive dynamic range, excellent contrast rendition, exceptional sharpness, the highest resolution, and noise-free images in almost all lighting conditions. The shutter provides speeds from 30 minutes to 1/8000 sec. The sensor reveals its full potential in combination with Leica SL lenses, especially in available-light situations, and captivates users with atmospheric exposures in superior quality at ISO settings up to a maximum of 50,000. What’s more, it is optimised for use with Leica M-Lenses and, in addition to supporting all their functions, delivers the excellent picture quality with which Leica has been synonymous for more than 100 years.

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The new movie star: professional video in cinematic resolution

The Leica SL is much more than a professional still-picture camera with video recording capability: it fulfils even the most stringent demands of moviemakers as a fully fledged video camera. Thanks to its 24 MP CMOS sensor and high-performance Maestro II series processor, the Leica SL enables the production of professional videos in 4K resolution. Videos can be recorded in UHD at 30 frames per second or even in Cine4K at 24 frames per second. In full HD, the Leica SL records video at up to 120 frames per second and makes use of the entire sensor area. Here, the logical and intuitive handling concept of the camera makes a clear distinction between still- and motion-picture recording. As soon as the camera is in video mode, the display shows only relevant information for video recording, such as safe area, aspect ratio, zebra function or the recording level of the microphone. An optional audio adapter allows you to connect an external microphone and the audio recording level can be set without accessing the menu. Videos can be output in 4:2:2 10-bit format in 4K resolution over HDMI 1.4.

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Aluminium body for robust performance in everyday photography

From the beginning, resilience and robustness were at the focus of the Leica SL’s development. Body components machined from solid aluminium and precisely engineered seals around controls and in the lenses provide optimum protection against dust, moisture and splashes for the sensitive technology inside. At the same time, integrated ultrasonic sensor cleaning removes dust and dirt from the sensor. The glass covering the back panel display is extremely scratch-resistant and features an anti-reflex coating. All these properties make the camera an ideal tool for use in the rough, everyday conditions faced by professional photographers. In the interplay between its equally classic and functional design and its distinctive lines, the Leica SL is another example of Leica’s fine art of engineering.

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A new generation of lenses for excellent picture quality

The combination of outstanding imaging performance and the fastest autofocus currently possible makes working with the Leica SL an entirely new experience and enables photographers to produce images in a quality never before seen in 35 mm format. True to Leica’s principles, the new lenses specific to the Leica SL are distinguished by superior optical and mechanical precision. With its wide range of focal lengths and high speed, the Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. is the ideal standard zoom lens in the Leica SL-System portfolio. The zoom range of the fast Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 follows on directly from this and the current lens portfolio is rounded off by the Leica Summilux-SL 50 mm f/1.4 ASPH., the new reference lens for this focal length.

What’s more, the exceptional compatibility of the Leica SL-System grants photographers access to almost all Leica lenses ever made. For instance, all lenses for the Leica T camera can be used without an adapter. In addition, appropriate adapters allow Leica S, M, and R system lenses and lenses from other manufacturers to be mounted on the Leica SL.

Availability

The Leica SL (Type 601) body will be on sale from 16 November 2015. The Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. zoom lens will be available at the same time. Further Leica SL lenses will follow.

Leica SL camera and lens preorders:
Camera and Lens preorders at BHphoto (Click here).
Leica SL camera at BHphoto (Click here) and Adorama (Click here).
Leica SL 24-90mm at BHphoto (Click here) and Adorama (Click here).

Mitakon to launch the world’s fastest 135mm f/1.4 Full Frame lens!

Zyoptics (also known as Mitakon) posted those images of their 135mm f/1.4 Speedmaster Full Frame lens! They did not specify when the lens will be launched and in what mount it will be available. On those pictures you can see it will certainly come for Canon EF mount. The Sony may use an adapter or a proper E-mount version of the lens. We don’t know yet. All current Speedmasters are sold for Canon-Nikon and Sony E-mount (Click here to see them on eBay).

I made a quick check and the fastest Full Frame lens I found is the Zeiss 135mm f/1.8 (Click here). If I am correct this should make the new Speedmaster the new fastest 135mm FF lens out there!

More images of the lens (Click on it to enlarge):

Low resolution image samples:

As soon as I have more info about the lens I will let you know!

Source: Weibo (via Xjrumo).

Mirrorless news roundup.


The timelapse is complete. 8000+ frames, 100GB of images, over 10 hours of shooting and 2 hours of render. The mountain and the milky way (SonyAlphaForum)

Speedmaster 25mm lens review by Photobyrichard.com.
2 months in Cold Wilderness with A7R (SonyAlphaForum).
Voigtländer zoomar – el primer objetivo zoom (DSLRmagazine).
PIX2015 – Sony Alpha 7R II Technology at the Sony Booth by Dpreview.
a7r II vs 5DsR Thermal noise test by Marcio Cabral.
Fujifilm X-T1 Versus Olympus E-M1 Image File Sizes (Thewanderinglensman).
Panasonic Lumix FZ300: análisis (Quesabesde).
Lensbaby velvet 56mm f1.6 lens review (Diyphotography).

Sony could launch an FE camera with 100+ Megapixels!

canon-sensor

Forget it guys. The Megapixel war will never be over! Just one month after the Canon 120 Megapixel prototype camera presentation Sony started the marketing counter offensive. Sony Manager Kimio reported at Amateur Photographer:

“If the customer needs 100-million pixels, if the customer needs more than 100-million pixels, we will create such kind of a product. Right now we don’t get a strong demand from the customers for this.”

I guess as soon Canon released their 120MP DSLR Sony will also launch a new A7rmarkIII with similar resolution.

Here is a new expensive jewel for you: The World’s best wide angle 28mm Otus lens!

Such a lens has a strong “I want it!” factor! That new Zeiss 28mmf /1.4 claims to be the best FF wide angle lens on market. Zeiss said it will ship in Spring 2016 for a price that has yet to be unveiled. But expect it to cost more than $5,000!

Here is the full press text:

ZEISS Otus 1.4/28: World-class wide-angle

With the new ZEISS Otus 1.4/28, users of shorter focal lengths can now also take advantage of the most powerful image quality of the ZEISS Otus lens family.

ZEISS Otus lensfamily

Where details count in wide-angle photography, the Otus 1.4/28 for DSLR cameras with F- and EF-mount is the lens of choice.

 

The Otus 1.4/28 shows off its strengths particularly in landscape and nature photography. Even with a maximum aperture, the corners of the image are completely usable, so there are no limits to composition. In poor light combined with fast-moving objects, the lens also doesn’t break a sweat – thanks to its high speed of f/1.4. While other lenses reveal their shortcomings in correction in night photography, especially when lots of open light sources dominate an image, the ZEISS Otus 1.4/28 boasts a stellar performance. Finally, the latest member of the ZEISS Otus family is excellent for taking pictures of image elements in the foreground, as they take on a greater feeling of depth to the scene due to the wide background and the open aperture; here, the lens’s harmonious bokeh ensures a 3D effect.

ZEISS Otus 1.4/28 ZE and ZEISS Otus 1.4/28 ZF.2

For professional photographers

Inner focusing, a dial window and yellow labeling of the dials for easy legibility designate the Otus 1.4/28 as a lens, developed to meet the high demands of professional photographers. The mechanical quality also impresses: the soft focus operation with the large rotation angle allows for the finest variations when focusing – something that is only possible with a metal construction. In every focusing situation, the user is given freedom to compose – one of the most important creative factors in photography. An artistic tool is literally put in the photographer’s hands. With its robust all-metal barrel and easy-to-grip focus ring, the Otus 1.4/28 is also well suited for a photographer’s demanding everyday work.

With high image contrast all the way into the edges of the image – already at an open aperture of f/1.4 – the Otus 1.4/28 demonstrates its optical brilliance. At all distances it offers consistent performance (minimum working distance of 0.15 m), highly detailed images without any bothersome artifacts, and a neutral bokeh in the background.

“With these features the ZEISS Otus lenses set themselves apart from the other ZEISS SLR lenses, such as the ZEISS Milvus family, which we recently presented,” said Christophe Casenave, Product Manager with ZEISS Camera Lenses.

See high-res pictures on Flickr.

Intricate construction for uncompromising imaging performance

A view inside the lens reveals how such optical excellence is achieved: The lens consists of 16 elements in 13 groups. One of the lens elements has an aspheric optical surface and one element is aspheric on both sides. Eight other lens elements are made of special glass. The basis of the optical design is a Distagon. The special glass has anomalous partial dispersion, as is typical for an apochromatic lens. This corrects the longitudinal chromatic aberrations superbly, which therefore lie considerably below the tightly defined boundaries. Bright-dark transitions in the image, in particular highlights, are depicted almost completely free of color artifacts. The floating elements design (the change of distances between certain lens elements when focusing) allows for unrivalled imaging performance along the entire focusing range, from 0.3 m to infinity.

 

The ZEISS Otus lens family

ZEISS Otus 1.4/28 ZF.2When ZEISS introduced the ZEISS Otus 1.4/55 in 2013, creating a new family of high-end SLR lenses, the trade press and users alike were enthusiastic. The ZEISS Otus 1.4/55 has exceeded its promises up to this day. The second member of the family, the ZEISS Otus 1.4/85, which was presented at photokina 2014, continued this success story in the short telephoto range. It enables photographers to express their creativity in a unique way – and that with the unsurpassed high imaging performance for which the lenses in the ZEISS Otus family are known.

“The ZEISS Otus 1.4/28 continues the tradition of its lens family. It is the best wide-angle that has ever existed. Now we can offer three outstanding lenses for the widest variety of applications,” added Casenave.

 

 

Price and availability

The Otus 1.4/28 ZF.2 and Otus 1.4/28 ZE will be available worldwide starting in the second quarter of 2016. The lens shade is included with delivery. The retail sales price is unknown to date.

Further information and technical data:

www.zeiss.com/otus